[Today’s post is by John H. Parker, co-author of the newly released book, Abide With Me, published by New Leaf Press. This account is from the travels of John and his co-author/photographer, Paul Seawright.]

One of the phenomena associated with going to world-famous places or the sites of world-famous elements like the great hymns is that when you get there, the place seems so, well, unfamous.

Broadhembury, England

Broadhembury, England

Broadhembury is quaint and charming, but so are a lot of English villages. What make this one famous is its association with Augustus Toplady, composer of “Rock of Ages.”

Broadhembury Church

Broadhembury Church

Somehow you expect the place associated with a hymn you’ve sung all your life to be, well, spectacular somehow. Not so this little church. Augustus may have composed his hymn in the cleft of a rock in nearby Cheddar Gorge. Or it may have been born out of his feud with John Wesley.

Whatever, the whole fame thing is comfortably mollified by a sign on the front of the church :

Welcome to St. Andrews Church, Broadhembury.

Please close the door on entering and leaving.

Birds fly in the Church and cannot get out.

Thank You.

Have a safte journey home.

Most famous people and their homes are pretty ordinary after all.

Broadhembury residence

Broadhembury residence


[Today’s post is by John H. Parker, co-author of the newly released book, Abide With Me, published by New Leaf Press. This account is from the travels of John and his co-author/photographer, Paul Seawright.]

I like hiking and rocks as much as the next man, so Cheddar Gorge near Broadhembury, County Devon, England is appealing. Look closely and you can see mountain goats with hooves clinging precariously to the sides of near-cliffs. Helmeted rock climbers clamber over ledges, and the whole area looks like the American West’s version of wilderness.

In the midst of all this natural beauty is the most famous rock of all, the one that supposedly Augustus Toplady took shelter in sometime around 1776 when a storm caught him and his horse. The story goes that he found shelter in a slanting cleft in this 100-foot mass of stone during a rain storm. He there related the stone to the reference to Christ as the Rock (1 Corinthians 10:4) and the cleft to Jesus’ wound from which issued blood and water (John 19:34)) Hence he conceived the idea of his hymn, “Rock of Ages.” Supposedly he found a playing card there on which to jot down his original idea.

The story is questionable, but possible. More likely August conceived “Rock of Ages” as a vehicle for advancing his belief in grace that opposed his antagonist John Wesley. Nonetheless, we enjoy the scene and the ambience. Jill stands by the cleft to give perspective as I take some pictures. Meanwhile Paul is taking the photos that really count. I reflect that preachers and hymn writers of the era were both hardy and original.

[Today’s post is excerpted from the forthcoming book, Abide With Me, by acclaimed photographer Paul Seawright and Professor John Parker. The book and its CD with 20 classic hymns, will be released in April 2009 by New Leaf Press.]

County Devon, on England’s South West Peninsula, separates the Bristol Channel from the English Channel. It is the last county before Cromwell and a place appropriately known as “Land’s End,” because after that there is only the vast Atlantic.

This is open country: space, hills, rock cliffs, and small parish villages. Today we are driving to Broadhembury, home of Augustus Toplady (1740-1778), writer of “Rock of Ages.” To get there we obediently follow the commands of the cheerful GPS voice down a one-car-wide road closed in by a tunnel of six-foot hedgerows. Broadhembury is a community of very pricey thatched-roof houses, a stately thirteenth-century church, a single inn proudly displaying the sign of the Red Lion, and a happy-looking and comfortable population just a shade under 700.

Augustus Toplady was born November 4, 1740, and educated at Westminster School of London and at Trinity College, Dublin. Converted by a sermon delivered in a barn in Ireland in 1755, he became curate at Blagdon, Somersetshire, in 1762. Ordained an Anglican priest two years later, he served in Somerset and Devon villages before coming to Broadhembury.

Augustus was a spiritual preacher, if maybe a bit of a loner. His positive traits, however, were partially offset by his extremely bitter controversy with John Wesley, during which Augustus held rigidly to his Calvinistic beliefs and bitterly attacked the Methodist leader up to the very end of Augustus’ life in London in 1778 at age 38.

Sometime during the Blagdon years, Augustus wrote “Rock of Ages,” one of the most beloved Christian hymns, and the circumstances of his writing it are legendary. Cheddar Gorge, one of the most scenic spots in western England, has rock walls hundreds of feet high.

Slanting down from one of the rock cliffs is a long, straight crevace perhaps a hundred feet high. Here, the story goes, Augustus found cover when he and his horse were caught in a violent rainstorm. Always seeking spiritual parallels, he imagined the sheltering cleft as a figure of the saving Christ and conceived the idea for a hymn. Needing paper on which to write the song, he found a playing card left by a previous visitor probably less inclined toward religion. Augustus composed his now-famous hymn on the card.

Apparently there is no documentation for this story and most sources doubt it. Whatever the case, many believers have found the words of “Rock of Ages” to be the most moving expression in English hymns of the sinner’s plea for salvation by Christ’s blood.

Augustus included “Rock of Ages” in his Psalms and Hymns for Public and Private Worship, published in 1776, the year of the American Revolution. Altogether he wrote some 130 hymns, loved and sung by millions.